Decalogue Blog Post #2

 When viewing the two short films of the decalogue series, I struggled finding enjoyment in a film that was intended to give the audience an eerie feeling and discomfort. One way this was used is the lighting. The film is dark which sets the tone as devoid of hope and life. One of the more interesting things  found in the movie is that Krzysztof Kieslowski develops the characters very well. The father throughout the film was very smart with numbers and was on a constant proof to solve issues with analytics. This gets juxtaposed with his son dying by falling n the pond, something that he deemed improbable due to the ice being completely frozen. As a man who trusts in analytics, he goes through every possible option of where his son may be before heading to the pond, which for someone else would have been the first place they go. 

Midrash is a Jewish belief that one should not only understand the words of the text, but what is behind the words as well, the inner meaning of the text. Movies are an excellent way to understand the meaning behind the text, because you can see the emotions of the characters and the way they acted in a certain situation. In Decalogue, the fathers despair is shown by him wandering around checking all the possible locations to find his lost son. The viewer would not have had the same appreciation for the character and for the situation without the visual medium to tell the entire story. 

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